Project commission for Jakarta Biennale 2015: Maju Kena, Mundur Kena: Bertindak Sekarang.
Lead curator: Charles Esche
Project curator: Putra Hidayatullah
- 325 litres water drawn from Te Waihou / The Blue Spring, Putaruru, New Zealand;
- 2 x 200 litre plastic drum UN Rated in transparent blue; custom-made shipping pallet;
- Sea freight journey from Port of Tauranga to Port of Jakarta via Singapore;
- Email correspondence 02/06/15 - 30/10/15 printed on 1kg A4 copy paper manufactured by APP (Asia Pulp and Paper Ltd, Indonesia);
- Single A4 page with redacted email dated 11/11/15.
Water: South Waikato District Council
Shipping pallet: Haines Pallet Co.
Freight: Divine Logistics Ltd
Design: Adrian McCLeland & Warren Olds
Book binding: Flodstrands Bokbinderi
Jakarta Biennale Foundation
New Zealand Ministry of Foreign Affairs and Trade
Watermark, South Waikato District Council
College of Creative Arts Toi Rauwharangi, Massey University Wellington
With thanks to
Charles Esche, Vicky Rosalina, Ade Darmawan,
Onny Hutabarat, Putra Hidayatullah, Mg Pringgotono, Irma Chantily; New Zealand Embassy Jakarta;
Andrew, Tom & the Watermark team
Maddie Leach’s work often begins with an exploration of movement or displacement. She is interested in what happens when things are in transition - from one place to another; one category to another; or one form to another. In doing so, her work often reveals a part of the invisible processes through which the global economy conducts its business. It might be possible to link Leach’s work to Marx’s ideas of circulation and how a commodity only really makes economic sense when it is in movement, but this aspect of her work is secondary to investigating the physical transformations that take place within a system of exchange.
Leach was invited to develop a new work for the Biennale and proposed shipping two barrels of New Zealand spring water from Putaruru (a small town in the North Island producing 70% of New Zealand’s bottled water) to Jakarta – with the intention of giving them to the Indonesian corporation Asia Pulp & Paper (APP) in exchange for 1kg of paper produced with the imported water. This seemingly simple request has resulted in an endless stream of email exchange as the global trade system tried to accommodate and classify this rogue shipment. Neither customs officials nor the paper manufacturers nor the Biennale itself knew best how to respond. The whole saga was reproduced in the exhibition as a paper document, printed on APP copy paper, and installed in an empty space awaiting the absent water barrels.
In early 2017, Leach made an edition of nine books containing all of the correspondence produced in relation to The Blue Spring / Mata Air Murni project. Copies were distributed to a number of sites, including the Jakarta Biennale Foundation, the national libraries of New Zealand and Indonesia, the Embassy of New Zealand in Jakarta and the Embassy of Indonesia in Wellington.
Charles Esche / Maddie Leach